{"id":646,"date":"2015-01-26T16:30:31","date_gmt":"2015-01-26T16:30:31","guid":{"rendered":"https:\/\/bagleyinsurance.com\/?p=646"},"modified":"2015-01-26T16:30:31","modified_gmt":"2015-01-26T16:30:31","slug":"movie-review-st-vincent","status":"publish","type":"post","link":"https:\/\/bagleyinsurance.com\/?p=646","title":{"rendered":"Movie Review: St. Vincent"},"content":{"rendered":"<p>In 1998, Bill Murray&#8217;s acting career was on the fritz.\u00a0 It had been years since his last great comedy, Groundhog Day, and after a series of critical and box office duds like <em>Larger Than Life <\/em>and <em>The Man Who Knew Too Little<\/em>, Murray was in need of a change.\u00a0 Lucky for him, director Wes Anderson, along with co-writer Owen Wilson, wrote a part just for Murray.\u00a0 <em>Rushmore<\/em> was completely different from anything Murray had done before, yet it played up perfectly to his comedic strengths.\u00a0 It was the most serious Murray movie to date, but he was still hilarious in it.\u00a0 Murray&#8217;s career was officially back on track, and he even received some Oscar buzz.<\/p>\n<p>Since <em>Rushmore<\/em>, it&#8217;s like Murray has decided that he wants to win an Oscar and will only take on roles that might get him there.\u00a0 This has resulted in a few decent films here and there (<em>Lost In Translation <\/em>earned him an Oscar nomination), but as time has passed his films have been dropping in quality and he&#8217;s further away than ever from his coveted Oscar.\u00a0 In fact, if it weren&#8217;t for Wes Anderson, he would have no interesting roles, save for a few fun cameos (including Zombieland and <em>Get Smart)<\/em> in the past 10 years.\u00a0 Movies like <em>Get Low<\/em> and <em>Hyde Park on Hudson<\/em> seem like nothing more than dramatic and failed attempts to grab another Oscar bid.<\/p>\n<p><em>St. Vincent <\/em>is his latest attempt, and although it&#8217;s not his worst, it&#8217;s still nowhere near his career highs.\u00a0 He plays Vincent, a grumpy, broke old man with an alcohol problem and gambling addiction.\u00a0 He is mean to everyone, but reluctantly agrees to watch his 11-year-old neighbor because he needs the money to pay off a bookie.\u00a0 Eventually, he and the child bond.\u00a0 He teaches the kid to fight, gamble, and they have fun together.\u00a0 We find out that Vincent had a tough life, and that deep down he might have a heart under his crabby exterior.<\/p>\n<p>The problem with this movie is that at no point to we see anything to make us believe that Vincent is really a good guy.\u00a0 He doesn&#8217;t really seem to change much by the end of the movie.\u00a0 The other characters\u00a0inexplicably like him because the plot tells them to, and eventually he just gives up and lets them help him.\u00a0 They&#8217;re lives are no better for being around him.<\/p>\n<p>Murray is a great actor and my all-time favorite comedian, and he is great in this movie.\u00a0 In fact, without Murray this would have been a total train-wreck.\u00a0 With Murray, its actually not bad.\u00a0 There are some great moments and he and the kid have some good chemistry.\u00a0 But you can tell\u00a0that this is\u00a0director Theodore Melfi&#8217;s first full-length feature, as\u00a0a lot of the dialogue is really hammy and seems forced.<\/p>\n<p>Bill Murray has famously been without an agent for the past 20 years, and it shows.\u00a0 It&#8217;s like he&#8217;s just puts a bunch of scripts up on a dart-board and goes with whatever hits.\u00a0 As one of Bill Murray&#8217;s biggest fans, I sincerely hope that he hires someone soon who can help him start making great movies again.\u00a0 Until that happens, check out <em>St. Vincent<\/em>.<\/p>\n<p><strong>Grade: C+<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1998, Bill Murray&#8217;s acting career was on the fritz.\u00a0 It had been years since his last great comedy, Groundhog Day, and after a series of critical and box office duds like Larger Than Life and The Man Who Knew Too Little, Murray was in need of a change.\u00a0 Lucky for him, director Wes Anderson, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-646","post","type-post","status-publish","format-standard","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=\/wp\/v2\/posts\/646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=646"}],"version-history":[{"count":2,"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=\/wp\/v2\/posts\/646\/revisions"}],"predecessor-version":[{"id":648,"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=\/wp\/v2\/posts\/646\/revisions\/648"}],"wp:attachment":[{"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bagleyinsurance.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}